Allegory, Space and the Material World in the Writings of - download pdf or read online

By Christopher Burlinson

ISBN-10: 1843840782

ISBN-13: 9781843840787

ISBN-10: 1846154448

ISBN-13: 9781846154447

This booklet offers a thorough reassessment of Spenserian allegory, particularly of The Faerie Queene, within the gentle of latest historic and theoretical pursuits in house and fabric tradition. It explores the ambiguous and fluctuating recognition to materiality, items, and substance within the poetics of The Faerie Queene, and discusses the best way that Spenser's construction of allegorical that means uses this materiality, and transforms it. It indicates extra severe engagement with materiality (which has been so very important to the hot examine of early sleek drama) needs to come, with regards to allegorical narrative, via a research of narrative and actual house, and during this context it is going directly to offer a studying of the spatial dimensions of the poem - quests and battles, forests, castles and hovels - and the spatial features of Spenser's different writings. The publication reaffirms the necessity to position Spenser in his ancient contexts - philosophical and medical, army and architectural - in early glossy England, eire and Europe, but additionally presents a serious reassessment of this literary historicism. Dr CHRISTOPHER BURLINSON is a examine Fellow in English at Emmanuel collage, Cambridge.

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Additional info for Allegory, Space and the Material World in the Writings of Edmund Spenser (Studies in Renaissance Literature)

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Eagleton, Walter Benjamin, p. 23. Benjamin, Ursprung des deutschen Trauerspiels, p. 208. 17 Space and Materiality With admiration of their passing light, Blinding the eyes and lumining the spright. (‘Hymne of Heavenly Love’, lines 274–80) As I have discussed above, the engagement of The Faerie Queene with ‘earthes glories’ is unstable: partly an avowal of the materiality of the verse, an interest in things and their substantiality and substance that often concentrates explicitly on the question of substance, and how substance and form are connected in physical bodies, and partly a disavowal of the relevance or importance of this material.

1–6) And it is the relation between the narrative spaces of Spenser’s Ireland and England, and those of the poem, that I shall deal with in the next chapter. Materials of Memory (Cambridge: Cambridge University Press, 2000); Paul Yachnin, ‘Magical Properties’, and Anthony Dawson, ‘Props, Pleasure, and Idolatry’, in Anthony B. Dawson and Paul Yachnin, The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate (Cambridge: Cambridge University Press, 2001), pp. , Staged Properties in Early Modern English Drama.

116. See, for example, Ann Rosalind Jones and Peter Stallybrass, Renaissance Clothing and the 20 Accounting for the Material I have argued throughout this chapter that the question of materiality is especially relevant to a study of Spenserian allegory. As I have been suggesting, Spenser presents us with an abundance of objects, and disavows his interest in them; his allegory not only destabilizes the representational role of the material, but actually exposes it. As I now move on to discuss the material and narrative space of the poem, I want to suggest that if the property is the category that has enabled Renaissance studies to locate the object on the early modern stage, it is a consideration of space that will allow us to read an allegorical narrative with a sensitivity to materiality.

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Allegory, Space and the Material World in the Writings of Edmund Spenser (Studies in Renaissance Literature) by Christopher Burlinson

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